Video games are complex systems and opportunities. These systems include hegemonies of representation and labor structures.
Many mainstream games feature gay characters but don’t always make this clear. Overwatch, Borderlands and other games allow you romance characters of the same gender but homosexuality isn’t part of their story.
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When Persona 4 was first released, the game was heralded for its unafraid to present a meaningful homosexual character. It did exactly that. However, it was a game that also fell victim to a lot of tasteless anime tropes when it came to its characters’ queerness.
Take for example, the camping scene with Kanji and Yosuke. Yosuke asks Kanji if he has any problems with girls. This is a dehumanizing and hateful question, which implies that being gay should be shunned.
After the scene, there are a number of jokes based on Kanji’s sexuality. This implies that being gay involves preferring women to men. Despite Atlus’ clumsy attempts to make a joke out of the situation, it still sends a harmful message that LGBTQ people are predatory and should force straight people into their culture. This is unfortunate, as the game’s plots explore how toxic masculinity affects the male leads and how they can replace it with love.
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Video games have made great strides in depicting LGBTQ characters. They reflect societal attitudes toward diversity and inclusion. From Kung Jin in Mortal Kombat to Makoto Nanaya in the BlazBlue series, video games showcase diverse narratives that resonate with a wide audience.
These games immerse players in virtual worlds and capture them with their heartfelt stories. These stories are inspired by real-life experiences, and they explore themes like love, identity and acceptance. These games are particularly meaningful to LGBTQ+ players, as they can relate to their stories and experiences.
Some gamers have expressed dissatisfaction with the queerness of the game. They describe it as “disappointing”, and claim that the homonormativity is maintained. Other gamers have criticized both the gameplay and sex of characters. Dream Daddy continues to be a popular video game despite the complaints. The game does not tackle issues such as queer sex or intersectional queerness in a meaningful way.
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Blizzard Entertainment’s team-based, first-person shooter Overwatch contains a variety of characters with rich stories that are revealed in the game’s transmedia content. These narratives were met with praise for Blizzard Entertainment’s progressive stance towards representation, as well as criticism of their execution.
Recently, two of Overwatch’s biggest heroes –Solider:76 and Tracer — were revealed to be gay. Both were revealed in non-game material, like a comic strip that revealed Tracer and Emily’s relationship.
Discussions of these revelations highlighted the importance of authenticity. This is a concept that entails both the fidelity of the character’s characterization as well as the coherence of Overwatch’s fictional world. The discussion also highlights a feeling of belonging among LGBTQ players. These players are constructing an alternative and safe space within Overwatch to belong to. This is similar to how fans and gamers have long created their own spaces of engagement by utilizing fan fiction.
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There are many great games that fly the LGBTQ flag without falling into stereotypes or focusing too much on diversity just for the sake it. Borderlands is another game that doesn’t hide its queerness under a layer cynicism.
Borderlands is filled with queer characters, from a gay demon to an fembot. Gearbox made it very clear, even with claptrap as a playable protagonist, that being gay was completely normal and didn’t require constant attention.
Todd Harper’s article on the Mass Effect games highlights how gay romances were a prominent narrative within the gaming world. While Harper’s essay focuses on Shepard as a “closet narrative”, it also highlights how the game has created space for romance and happy endings for LGBT characters, which is important when viewed in the context of an historically vilified genre.
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Video games have evolved into a hybrid of innovative gameplay mechanics and diverse LGBTQ+ topics. Indie game developers are at the forefront of this movement, offering gamers experiences that relate to their own lived experiences. These games, from fantasy worlds to immersive stories, offer a feeling of empowerment and connection.
Axton, the splicer in the popular ‘Borderlands’ franchise was originally not meant to be bisexual, but due to coding errors when reviving other characters, he would say flirtatious lines whether it was a female or male character being revived. Gearbox has accepted the accidental bisexuality and canonised the character as such in many of their DLCs.
Other games have been more explicit with a gay character’s sexuality, like Riot’s ‘Caitlyn’ and ‘Vi’ who are in a romantic relationship, or ‘If Found…’, which is an independent game about a trans woman’s experience, highlighting both the euphoria and the difficulties of her transition.
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